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About Mohabbatein Movie 

Written by : Aditya Chopra

Directed by : Aditya Chopra

Music by : Jatin–Lalit

Starring : Amitabh Bachchan, Shah Rukh Khan, Aishwarya Rai

Release date : 27 October 2000

Running time : 215 minutes

Language : Hindi

Country : India

Storyline of Mohabbatein Movie 

Parampara. Pratishtha. Anushasan. Furthermore, the enchantment of first love. This is ideal to portray Aditya Chopra's executive film, Mohabbatein. The film got what it's title read — Mohabbatein, or love. It's been 20 years to this work of art, which saw two industry goliaths Amitabh Bachchan and Shah Rukh Khan meet up, and that was sufficient to guarantee a hit. Add to that the music which is as yet recalled today, the vibe great school sentiment components, and the six new faces — Uday Chopra, Jugal Hansraj, Jimmy Sheirgill, Kim Sharma, Shamita Shetty and Preeti Jhangiani.

Jugal Hansraj: It was a decent mix of present day and custom. On one hand you had the entire severe Gurukul and Mr Bachchan with his shuddh Hindi and standards. Then, at that point, there was the center ground in order to talk in Shah Rukh Khan's personality between the old and the new. In us , there was the new wide looked at youths, the primary experiencing passionate feelings for, parcel of individuals connect with it. The folks we were all in the last part of the 20s and were told to get in shape and get little hair style and rest soundly and look new. I used to go running ordinary. It was the mix that is as yet recalled. There was an Indianness and a western worldwide sort of feel that was the allure of the film. Wherever beyond India additionally, it was interesting. Each of the six of us have great recollections, it was a ton of difficult work however it was great happiness moreover. There was no rivalry between all the young men and it was an incredible working encounter. It doesn't occur like that any longer.

Kim Sharma: The mind-set of this commemoration festivity would be thankful given that in such occasions, we have specific astonishing things to honor and have a blissful outlook on. In any case, it truly doesn't feel like 20 years have previously gone since Mohabbatein delivered. It just gave me the much expected start to my profession. I was 18 and dealing with this film resembled a legitimate opportunity for growth under the mentorship of Aditya Chopra. We went through acting, style, moving studios and some more. The whole excursion was a fortune and there's nobody or two things about it that I'd consider exceptional. I've tracked down old buddies in Jimmy and Preeti. You don't get to gain such experiences and such movies frequently.

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The Place of Chopra is naturally quick to rehash the exceptional progress of 1997's DIL TO PAGAL HAI, yet in spite of forcefully pressing the vast majority of similar buttons - slim, basic plot flooded with sentimentalism and set in an elitist never land, uber stars, extravagant sets and creation numbers, and a snappy score - none of its new endeavors (cf. KABHI KHUSHI KABHIE GHAM) ultimately depends on the abundant pointlessness of the prior film. MOHABBATEIN is apparently an illustration of the timeless clash among Affection and Obligation, set in a tip top life experience school for junior-school age young men ("school," in the Indian framework, however the captions routinely allude to the establishment as a "College"). The dean (and one of a handful of the noticeable representatives) is the super severe Mr. Narayan Shankar (Amitabh Bachchan), and his code of "custom, honor, discipline" is to be unbendingly kept up with on danger of removal - which, because of reasons never made sense of, will safeguard extremely durable boycotting by each and every school in the land. However three new understudies, Vicky, Karan, and Sameer (played by rookies Uday Chopra, Jimmy Shergill, and Jugal Hansraj), flat mates all, long to experience passionate feelings for - a particular untouchable, as it is reputed that the one understudy who generally did as such, and with the dean's little girl no less, was to be sure removed; in addition, the young lady then, at that point, serious self destruction. Luckily, along comes Raj Ayan (Shah Rukh Khan), a bloom fueled violin player and music educator. However music has forever been prohibited from the educational plan, Mr. Shankar untouchably recruits Raj on a one-year, non-cancellable agreement, and Raj continues to empower the school children, yet chiefly our three center young men, to dream unimaginable dreams of affection with three sweet youthful things: Ishika (Shamita Shetty), a haughty understudy at a neighboring young lady's school, Kiran (Preeti Jhangiani) the widow of a flying corps official who was lost on the boundary not long after their wedding, yet whose demise is denied by the young lady's dreary father by marriage (played by Amrish Puri, normally), and Sanjana (Kim Sharma), a nearby young lady who is now drawn in to a uber rich playboy. A long flashback will add the romantic tale of Raj (who is really Raj A. Malhotra, the broadly removed understudy, who the director never really saw) and Megha, the head administrator's dead little girl (Aishwarya Rai), and afterward there is a comic love-track highlighting two neighborhood traders Kake (Anupam Kher) and Preeto (Archana Puran Singh), who practice every one of the generalizations of Punjabi Sikh heartiness and nonsense. These affection stories unfurl in the midst of much singing and astounding movement, accentuated by sluggish verbal duels between the frowning Shankar and puckish Raj, over whose will be finished.