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About Dil to pagal hai Movie 

Story by : Aditya Chopra

Directed by : Yash Chopra

Music by : Uttam Singh

Starring : Shah Rukh Khan, Madhuri Dixit,
Karisma Kapoor, Akshay Kumar

Release date : 31 October 1997 

Running time : 180 minutes

Language : Hindi

Country : India

Storyline of Dil to pagal hai Movie 

Dil Toh Pagal Hai, the1997 melodic heartfelt show was one of the greatest business and basic progress in B-Town that year. This Shah Rukh Khan, Madhuri Dixit and Karisma Kapoor multi starrer was coordinated by Yash Chopra and the music was by Uttam Singh. The film likewise featured Akshay Kumar close by the lead triplet. The film had won 3 public honors at the 46th Public Film Grants including Best Supporting Entertainer for Karisma Kapoor. This 1997 blockbuster rotates around a melodic company in which 2 ladies of the group, Nisha (Karisma Kapoor) and Pooja (Madhuri Dixit) experience passionate feelings for Rahul (Shah Rukh Khan) who is the choreographer of the new undertaking they are dealing with.

Nisha and Rahul are cherished, lifelong companions and Nisha covertly cherished Rahul for quite a while. While a physical issue powers Nisha to be away for some time from dance practices Rahul finds his 'Maya' in whose search he was for quite a while. He sees Maya in Pooja and later Rahul and Pooja feel that they are enamored with one another. Pooja is afterward taken to Germany by her cherished, lifelong companion Ajay (Akshay Kumar) who proposes to her and in a situation, Pooja is compelled to acknowledge his proposition. This prompts a few complexities in their lives. Rahul and Pooja go gaga for one another considerably more through the course of their practices. Nisha comes to know about it and becomes desirous. This leads both of the ladies to go after Rahul's affection. Gradually Nisha understands Rahul's affection towards Pooja and penances her sentiments. Ajay in the end lets Nisha go and the film closes on a blissful note with Rahul and Pooja winding up together.

In any case, imagine a scenario where Ajay would have hitched Pooja. Imagine a scenario in which Rahul would have experienced passionate feelings for Nisha in the wake of realizing that she cherishes him a great deal. Consider the possibility that both Nisha and Pooja would have left Rahul. Do you concur with the peak of this film? While the film's storyline certainly won huge number of hearts, Dil Toh Pagal Hai could have an other completion which we call Peak 2.0.

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I Dixit, Karisma Kapoor, Farida Jalal, Sp. Application. Akshay Kumar
Music: Uttam Singh
Verses: Anand Bakshi
Sort: Family
Suggested Crowd: General
Surveyed by: Avinash Ramchandani - Rating: 9.0/10

Tell us your opinion on this audit
Music Audit
Public Rating Normal: 5.12/10 (appraised by 414 viewers) Give your Rating:

All that reduces to this. Following 27 years of Yash Raj Movies, two years after the super achievement Dilwale Dulhania Le Jayenge and Yash Chopra's child, Aditya Chopra's, first directional endeavor, Dil To Pagal Hai discharges. Assumptions are high, as this is the primary film that Madhuri Dixit acts with Karisma Kapoor and Shah Rukh Khan close by. This is likewise the main movie Shah Rukh Khan acts with Yash Chopra as chief after the super achievement Darr.

To get going the music is delivered and in no less than a month the melodies have stirred things up around town one situation on the graphs and are breaking records everywhere. The music chief, Uttam Singh, somewhat obscure before this collection delivered (with the exception of a couple of collections in the eighties), arrived at a high with his creations. Anand Bakshi's dominated the verses once again.

Nothing might have turned out badly, correct? Indeed, perhaps.

The story is genuinely straightforward, and might be the main thing ailing in the film. Rahul (Shah Rukh Khan), a chief, begins with depicting another play that his performing group will put on "Maya", deciphered as "deception". The solitary female artist in his group is Nisha (Karisma Kapoor). Nisha, frantically infatuated with Rahul, when informs him regarding her adoration. As Rahul begins making this play with Nisha ahead of the pack as "Maya", she gets harmed, and the genuine "Maya", Pooja (Madhuri Dixit) shows up. Pooja is organized to wed Ajay (Akshay Kumar), a money manager from London. Pooja accepts the part as Maya reluctantly. From that point, the story rolls to the finale calmly.

Shah Rukh Khan overwhelms the film. His job as Rahul is played boldly and might be meriting an honor. Karisma Kapoor rules her job too. Her gifts, flaunted again after Raja Hindustani, may make her a backbone in the entertainment world. Madhuri Dixit, as Pooja, flaunts her ability as an entertainer, and this job might carry her back into the numero uno spot, as it was left available to all in light of the fact that many large name female person films floundered for this present year.

So why not ten out of ten focuses? There was a missing thing from this film. Each opportunity I emerge from a film feeling extraordinary or edified, I give it a 10. However, this film didn't cause me to have that impression. I felt unconcerned. That enchanted that Dilwale Dulhania Le Jayenge or Lamhe had in the wake of watching them wasn't there. An inclination that I am happy with what I anticipated from this film is only not there. Were my assumptions excessively high? Perhaps — yet those assumptions were for this film to be great, a ten out of ten-point film — even without the close to home connection of Lamhe or DDLJ. There were two defects with the film, one being that the story is frail, and two being that after the film was done I felt as though I saw a dramatic presentation as opposed to a genuine film. It felt like the entertainers really represented me and they would return home to their families and carry on with their ordinary life. Obviously that is valid, in actuality, — Shah Rukh, Karisma, Madhuri and even Akshay have their own lives — however that isn't the thing I understand after most motion pictures are finished.