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About Special 26 Movie 



Written by : Neeraj Pandey

Directed by : Neeraj Pandey

Based on : 1987 Opera House heist

Produced by : Viacom 18 Motion Pictures

Cinematography : Bobby Singh

Starring : Akshay Kumar, Manoj Bajpayee,
Kajal Agarwal, Jimmy Sheirgill, Anupam Kher, Divya Dutta, Kishor Kadam

Music by : M. M. Kreem

Edited by : Shree Narayan Singh

Distributed by : Viacom 18 Motion Pictures

Production companies : Viacom 18 Motion Pictures, Friday Filmworks, Wide Frame Pictures

Release date : 8 February 2013

Running time : 144 minutes

Language : Hindi

Country : India



Storyline of Special 26

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I'm beginning to find watching motion pictures on YouTube a piece monotonous. Its hunt work isn't worked to completely track down motion pictures to watch and its calculation doesn't uphold a film buff's watch design. Further, deceptive titles and inferior quality transfers make the cycle middle age, particularly when one's accustomed to observing high-goal OTTs which are intended for one capacity in particular — watching motion pictures and series.

 In any case, there is a little prize (assuming you like to call it that) on YouTube for discovering a few unexpected, yet invaluable treasures you have not watched previously. However, the cycle is as yet extensive and the possibilities are, on the off chance that you're a cinephile, you'd likely have watched those jewels on a superior stage and in top quality.

 I (re)watched the 2013 Hindi-language film "Extraordinary 26" this week, for the survey. Composed and coordinated by Neeraj Pandey, the wrongdoing/thrill ride for certain components of dull satire depends on the 'Show House Heist' from 1987 when a gathering acting like CBI officials executes an annual duty assault on a Mumbai diamond setter.

 It's Walk 1987. CBI officials Ajay "Ajju" Singh (Akshay Kumar) and Pramod Kumar "P. K." Sharma (Anupam Kher) are rubbernecks leading a stroll in-interview to select more officials into their group and are likewise assaulting deceitful organizations. Assistants Joginder Khurana (Rajesh Sharma) and Iqbal Ali (Kishor Kadam) help the pair in the assignment.

 Be that as it may, just after a strike at a pastor's home, the fact of the matter is uncovered. Ajju, P.K. furthermore, their assistants are conmen acting like CBI officials and cheating cash off rich individuals who have things to stow away. The pack carries off the pastor's cash as well as gets SI Ranveer Singh (Jimmy Sheirgill) wrongly implicated as a co-schemer. SI Singh and his associate Shanti (Divya Dutta) get suspended in light of the fact that they got unwittingly snagged into the wrongdoing.

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Neeraj Pandey's Exceptional 26 is set during the 1980s — for the most part in Delhi, when Connaught Spot was a perfect white circle, with just the recently constructed Jeevan Bharti Building overshadowing. Pandey gets the vibe of Delhi right. There is a pursuit succession nearby, normally shot, including an unarmed, conventional Focal Department of Examination (CBI) official and a crook found attempting to give up a bag loaded with cash to a man in a Chief Padmini. Advertisement jingles from Doordarshan play behind the scenes.

The definite saving, the story is valid. In 1987, a rascal tricked a major goldsmith in Mumbai of ₹ 35 lakh worth of gems, acting like a CBI official. He has never been gotten. Pandey's lead character is Mon Singh (Akshay Kumar) and his partners in the con occupations he directs sequentially the nation over are three working class men frantic for some, cash, including P.K. Sharma (Anupam Kher), the dad of numerous youngsters from Chandigarh.

Cop Ranveer Singh (Jimmy Shergill) and constable Shanti (Divya Dutta), whom the con group hoodwinked, come on board to help the CBI, which is depended with the gig of grabbing Mon Singh and his men. Official Waseem Khan (Manoj Bajpai) drives this break group. The climactic episode depends on the specific way the genuine Mon Singh executed the burglary of the Mumbai gem dealer — by placing in a promotion in an everyday, he did stroll in meetings to enlist volunteers to the CBI who helped him in the heist.


The story and screenplay have the guarantee of a straightforward and direct heist. However, Pandey deviates. He opens up a romantic tale for Mon Singh. There are tunes. There is a bhangra number set in Chandigarh. There are an excessive number of scenes of either the four cheats or the CBI group simply strolling towards the camera in sluggish movement. Previous occasions are shown over and over in flashback. The foundation score, which emulates an awful disco track from the 1980s, hammers the film all through. Each little activity is combined with a good soundtrack. Most importantly, a dull legitimization of why Mon Singh chose to act like a CBI official, giving him a phony moral atmosphere, ruins essentially everything about the person.

Without these stock features of the most obtrusively swarm satisfying Bollywood potboiler, Pandey's film would have been more streamlined, centered around building the anticipation of the story. Once in a while, ruffles simply disrupt everything — here they did.

Kumar is deadened and has a similar one-articulation presence all through the film. For Bajpai, it seems like too simple a job; he additionally relies upon similar wrinkled eyebrows to communicate his franticness to tackle the case. Rajesh Sharma, who plays one of the partners and is a cultivated entertainer, has close to nothing to do. Kher carries a shades to his job with his idiosyncrasies and walk.