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About Main hoon na Movie

Written by : Abbas Tyrewala, Farah Khan, 
Rajesh Saathi, Abbas Tyrewala

Directed by : Farah Khan

Produced by : Gauri Khan, Ratan Jain

Story by : Farah Khan

Cinematography : V. Manikandan

Starring : Shahrukh Khan, Sushmita Sen, Sunil Shetty, Amrita Rao, Zayed Khan

Music by : Ranjit Barot, Anu Malik

Edited by : Shirish Kunder

Distributed by : Eros International

Production companies : Red Chillies Entertainment, Venus Movies

Release date : 30 April 2004

Running time : 182 minutes

Language : Hindi

Country : India

Storyline of Main hoon na movie 

Shah Rukh Khan on 16 years of Principal Hoon Na: The film was a rebound of sorts for me
Farah Khan made her first time at the helm in the year 2004 with Principal Hoon Na. The film featuring Shahrukh Khan, Sushmita Sen, Sunil Shetty, Zayed Khan, Amrita Rao, Kirron Kher, Boman Irani, Kabir Bedi and Satish Shah rotates around Significant Smash Sharma who is provided requests to go secret as an understudy to safeguard an overall's little girl from a rebel fighter. He even needs to satisfy his perishing father's longing to accommodate with his loved ones. The film was delivered overall on 30 April 2004 to by and large certain surveys from pundits and crowds. Primary Hoon Na was likewise the main creation of Shahrukh Khan's then-new settled flag Red Chillies Diversion.

With Principal Hoon Na finishing 16 years, entertainer and maker Shah Rukh Khan told Bollywood Hungama that Fundamental Hoon Na had an extremely meager life saver - grown-up man, returning to school and sitting in a study hall. Presently it seems like an outlandish, hazardous thing to do. Yet, Farah has that conviction, a specific level of frenzy and she can pull off the most preposterous idea. Giving a model, SRK further said that when she let him know that she needs to do Fundamental Hoon Na, she added 'It resembles you're returning to school with a side-separating and a decent kid picture!" The Poke Harry met Sejal entertainer further said that unusually, Farah considers him an activity legend. She is the main chief who feels Ruler Khan could be an extremely cool activity legend. She's done the most extreme activity with him, be it Blissful New Year, Om Shanti Om and Fundamental Hoon Na.

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Discussing Principal Hoon Na, Shah Rukh said, "It was a rebound of sorts for me. I had quite recently done my spine medical procedure. I had misgivings whether I'll have the option to return to work and have the option to do the stuff that I do. I had quite recently gone for 'Pretty Lady' melody in Kal Ho Naa Ho. Then, at that point, I came on Primary Hoon Na sets and I did the rooftop succession. For my purposes, it was vital I nail it. Farah, clearly, loves me to an extreme and was exceptionally terrified. In any case, I advised her that I want to find out whether I'm fine after this spine medical procedure or whether I'm not great as I used to be."

The shooting of the film occurred at St. Paul's School, Darjeeling, West Bengal, India. Further talking about shooting the film in Darjeeling, the Raees entertainer said that they were shooting 36 years after Mr Raj Kapoor went for Mera Naam Joker in Darjeeling. Not many Hindi movies had been shot there meanwhile. Additionally, 'Simple Sapno Ki Rani' was his young life main tune and he really reproduced that for himself. They didn't have the valuable chance to do it in their film. In any case, it was his young life dream to take a quick trip and see that train. He has no scene with the toy train. He just has a scene of Sushmita Sen crying at the station. Likewise, before Principal Hoon Na, SRK had shot Raju Boycott Gaya Courteous fellow. Some portion of it was recorded in Darjeeling.

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Farah Khan, it shows up, was truly not kidding when she said her first time at the helm was a return to seventies' potboilers, and, with the Manmohan Desai rationale that the crowd will acknowledge a-n-y-t-h-I-n-g for however long it's not given opportunity to think, the shortness of breath proceeds… Significant Slam Sharma (Shah Rukh Khan) returns to school to do the accompanying: safeguard understudy Sanjana (Amrita Rao) from psychological militants, rejoin his family (Kirron Kher as mother, Zayed Khan as more youthful sibling Fortunate), rejoin Sanjana with her alienated dad (Kabir Bedi), foil the plans of enemies of nationals headed by Suniel Shetty (who, everything being equal, picks this film to underplay his job), encourage the Fortunate Sanjana sentiment, and, at last, charm the most blazing science educator on earth (Sushmita Sen + Chiffons - > Sudden ignition).

The vast majority of the film is set in a school grounds, a very Kuch Hota Hai kind of school grounds, yet where Karan Johar utilized the fun 'n' skip as a springboard for relationship dramatization - at the end of the day, pull out the handkerchieves - Farah Khan involves it as lighthearted element in her enormous, smooth, all around mounted, all around shot (by V Manikandan) activity film. All in all, pass around the popcorn.

So Fundamental Hoon Na is fun, activity, fun, feeling, fun, activity, fun… well bundled by the chief and Abbas Tyrewala (who, after the high parody of Munnabhai MBBS, the extreme emotion of Maqbool, and the high masala here, can evidently revive pretty much any kind). With a wild obligation to illogic, they give everybody in the crowd everything.

You need no-sense activity? Here is a pursuit where a cycle-cart (named Dhanno, no less) dominates a smooth small van. Searching for pure corn, the 100 percent desi ghee assortment? Watch a tragically missing child going into maa's home during a power cut (andhera, you know); as she moves toward him, the lights return on, the ujala is back in their lives. Over-the-absurd parody is more your thing? Forget about it, there's a preoccupied head (an extremely valuable Boman Irani), a spit heaving Material science instructor (Satish Shah, executing the best Framework parody ever) and an English-tested Hindi educator (Bindu, who, in the wake of seeing Ram's heroics, calls him 'mack-gracious man'). Essentially looking for gorgeous sight? That is the reason the beautifully organized melody groupings - particularly the title number - are there, making Anu Malik's tunes show up obviously superior to they truly are.