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About Hum saath saath hain Movie


Written by : Sooraj R. Barjatya

Directed by : Sooraj R. Barjatya

Starring : Mohnish Bahl, Tabu, Salman Khan, Sonali Bendre, Neelam Kothari, Mahesh Thakur, Saif Ali Khan, Karisma Kapoor

Produced by : Ajit Kumar Barjatya, Kamal Kumar Barjatya, Rajkumar Barjatya

Edited by :Mukhtar Ahmed

Cinematography : Rajan Kinagi

Production companies : Rajshri Productions,
Amber Entertainment

Music by : Raamlaxman

Release date : 5 November 1999

Running time : 176 minutes

Language : Hindi

Country : India




Storyline of Hum saath saath hain Movie

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I thought I'd investigated this film, yet I'd recently facilitated a tweetalong. Anyway, I'm certain I can zoom out an audit right away of some sort or another.

This is the nearly however not-exactly as-great Sooraj Barjatya film. It doesn't have the unadulterated unique blamelessness of Maine Pyar Kiya, or the dazzling sweet wizardry of Murmur Aapke Hain Koun, yet it Nearly does! Assuming that you like the other two movies, and are in a Rajshri film, I suggest it. Be that as it may, know it is only one half advance farther towards "so terrible it's benefit" and away from "outright great as it was planned to be seen".

Actually it's simply an issue of "greater isn't better all of the time". Maine Pyar Kiya had one romantic tale, Murmur Aapke Hain Koun had two, and Murmur Saath Hain has THREE! Such countless tunes, so many outfit changes, such countless sets. And all of that didn't leave a lot of room for a thing we call "plot" that depends on something different called "struggle". There's a joke that Murmur Aapke Hain Koun is a 3 and a half hour wedding video, Murmur Saath Hain is more similar to a 3 and a half hour family gathering film.

Yet, it works in light of the fact that Sooraj was still impeccably fixed on his Barjatya enchantment, as was his cast. One thing that I don't think Sooraj gets sufficient credit for is the means by which he handles his entertainers. He draws out a sweet reality in every one of them, from Salman Khan to Saif Ali Khan, from Forbidden to Karisma, there is consistency of tone that is surprising. Everything begins from that, in the event that we can have faith in the exhibitions, than the crazy set plans and ensembles and the remainder additionally work. What's more, we will be cheerful enough investing energy in this world that we wouldn't fret the absence of contention.


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I allowed I'd delved this film, yet I'd lately eased a tweetalong. Anyway, I am certain I can zoom out an inspection right down of some kind or another. 
 
 This is the nearly still not- exactly as-great Sooraj Barjatya film. It does not have the unalloyed unique innocency of Maine Pyar Kiya, or the glowing sweet enchantment of Murmur Aapke Hain Koun, yet it Nearly does! Assuming that you like the other two pictures, and are in a Rajshri film, I suggest it. Be that as it may, know it's only one half advance further towards" so terrible it's benefit"and down from"outright great as it was planned to be seen". 
 Actually it's simply an issue of" lesser is not more all of the time". Maine Pyar Kiya had one romantic tale, Murmur Aapke Hain Koun had two, and Murmur Saath Hain has THREE! Similar innumerous melodies, so numerous outfit changes, similar innumerous sets. And all of that did not leave a lot of room for a thing we call" plot"that depends on commodity different called" struggle". There is a joke that Murmur Aapke Hain Koun is a 3 and a partial hour marriage videotape, Murmur Saath Hain is more analogous to a 3 and a partial hour family gathering film. 
 

 Yet, it works in light of the fact that Sooraj was still perfectly fixed on his Barjatya enchantment, as was his cast. One thing that I do not suppose Sooraj gets sufficient credit for is the means by which he handles his impersonators. He draws out a sweet reality in every one of them, from Salman Khan to Saif Ali Khan, from Interdicted to Karisma, there's thickness of tone that's surprising. Everything begins from that, in the event that we can have faith in the exhibitions, than the crazy set plans and ensembles and the remainder also work. What is further, we will be cheerful enough investing energy in this world that we wouldn't fret the absence of contention.