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About Dhoom 3


Written by : Vijay Krishna Acharya

Directed by : Sanjay Gadhvi

Produced by : Aditya Chopra

Story by : Aditya Chopra

Cinematography : Nirav Shah, Vikas Sivaraman

Starring : Hrithik Roshan, Abhishek Bachchan, Aishwarya Rai, Bipasha Basu 
Uday Chopra

Music by : Pritam

Edited by : Rameshwar S. Bhagat

Distributed by : Yash Raj Films

Production company : Yash Raj Films

Release date : 24 November 2006

Running time : 152 minutes

Language : Hindi

Country : India



Storyline of Dhoom 2 Movie

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Counter-intuitive and very unashamed at that, Sanjay Ghadvi follows up his 2004 astonishment hit "Dhoom" with a lot greater, similarly engaging spin-off that will undoubtedly match its ancestor's prosperity, while perhaps worse it. Toss in certain bicycles, fly skis, pursues, detonating choppers, madly excellent ladies in swimming outfits, stir it up with a bit of humor and sentiment in a content deprived of all insight and Dhoom machale by and by as A.C.P. Jai Dixit embarks to catch "the ideal cheat".
A burglary craftsman with an obsession for invaluable doodads, Aryan (Hrithik Roshan) is needed for perfect heists all over the planet. In light of deliberate clues left behind on every theft, Dixit plots an example, foreseeing Aryan's next heist in Mumbai. An expert of mask a la Val Kilmer from "The Holy person", Aryan departures with Dixit and Ali (Uday Chopra) following right after him. En route, he tracks down an accomplice in Sunerhi (Aishwarya Rai), Dixit's mole, acting like a capable criminal. Dixit and Aryan enter a wait-and-see game with Sunehri in the middle between, with the sea shores and amusement parks of Rio de Janeiro playing amazing host.

Absent any and all a solid plot, the content and its treatment likewise experience the ill effects of a couple of provisos that are practically unfortunate in any event, for a straight up masala film. It appears to be odd that Ghadvi anticipates that his crowd should accept that his characters may not perceive Hrithik Roshan with a thin, earthy colored mustache and goatie with long hair, or, besides, with wavy hair and a freckled face. Also, subsequent to introducing Jai Dixit as the most astute cop around, it appears to be weird that even after Sunehri meets Aryan, Dixit sees no point in bringing in a sketch craftsman to draw up a comp of this criminal who has in a real sense taken his rest. All things being equal, he lean towards mystery, following Sunehri to Brazil, and barks at her for not taking care of her business.



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Fallacious and relatively unapologetic at that, Sanjay Ghadvi follows up his 2004 surprise hit “ Dhoom” with a much bigger, inversely amusing effect that's bound to match its precursor’s success, if not better it. Throw in some bikes, spurt skis, chases, exploding copters, insanely beautiful women in bikinis, mix it up with a touch of humor and love in a script stripped of all intelligence and Dhoom machale formerly again asA.C.P. Jai Dixit sets out to capture “ the perfect pincher”. 
 A theft artist with a obsession for priceless trinkets, Aryan (Hrithik Roshan) is wanted for exquisite grabs around the world. Grounded on purposeful hints left before on each thievery, Dixit plots a pattern, prognosticating Aryan’s coming pinch in Mumbai. A master of disguise a la Val Kilmer from “ The Saint”, Aryan escapes with Dixit and Ali (Uday Chopra) on his trail. Along the way, he finds a mate in Sunerhi (Aishwarya Rai), Dixit’s operative, posing as a talented pincher. Dixit and Aryan enter a cat and mouse game with Sunehri stuck in between, with the strands and festivals of Rio de Janeiro playing perfect host. 
 
 Devoid of a strong plot, the script and its treatment also suffer from a many loopholes that are nearly intolerable indeed for a straight up masala film. It seems odd that Ghadvi expects his followership to believe that his characters may not fete Hrithik Roshan with a slender, brown moustache and goatie with long hair, or, for that matter, with curled hair and a mottled face. Also, after presenting Jai Dixit as the smartest bobby around, it seems strange that indeed after Sunehri meets Aryan, Dixit does n’t bother calling in a sketch artist to draw up a presentation of this pincher who has literally stolen his sleep. Rather, he prefers guesswork, following Sunehri to Brazil, and barks at her for not doing her job. 


Counter-intuitive and veritably unashamed at that, Sanjay Ghadvi follows up his 2004 astonishment megahit"Dhoom"with a lot lesser, also engaging spin-off that will really match its ancestor's substance, while maybe worse it. Toss in certain bikes, fly skis, pursues, crumping copters, madly excellent ladies in swimming outfits, stir it up with a bit of humor and sentiment in a content deprived of all sapience and Dhoom machale by and by asA.C.P. Jai Dixit embarks to catch"the ideal cheat". 
 A burglary handicraftsman with an preoccupation for inestimable doodads, Aryan (Hrithik Roshan) is demanded for perfect grabs each over the earth. In light of deliberate suggestions left before on every theft, Dixit plots an illustration, foreknowing Aryan's coming pinch in Mumbai. An expert of mask a la Val Kilmer from"The Holy person", Aryan departures with Dixit and Ali (Uday Chopra) following right after him. En route, he tracks down an abettor in Sunerhi (Aishwarya Rai), Dixit's operative, acting like a able miscreant. Dixit and Aryan enter a delay-and- see game with Sunehri in the middle between, with the ocean props and recreation premises of Rio de Janeiro playing amazing host. 
Absent any and all a solid plot, the content and its treatment likewise witness the ill goods of a couple of provisions that are virtually unfortunate in any event, for a straight up masala film. It appears to be odd that Ghadvi anticipates that his crowd should accept that his characters may not perceive Hrithik Roshan with a thin, earthy multicolored mustache and goatie with long hair, or, besides, with crimpy hair and a mottled face. Also, posterior to introducing Jai Dixit as the most canny bobby around, it appears to be weird that indeed after Sunehri meets Aryan, Dixit sees no point in bringing in a sketch handicraftsman to draw up a presentation of this miscreant who has in a real sense taken his rest. All effects being equal, he spare towards riddle, following Sunehri to Brazil, and barks at her for not taking care of her business.