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About Annaatthe Movie 


Written by : Siva, Aadhi Narayana

Directed by : Siva

Produced by : Kalanithi Maran

Dialogue by : Siva, Savari Muthu, Antony Bhagyaraj, Chandran Pachaimuthu

Cinematography : Vetri

Starring : Rajinikanth, Khushbu, Meena, 
Keerthy Suresh, Jagapathi Babu, Prakash Raj, Soori, Abhimanyu Singh

Music by : D. Imman

Edited by : Ruben

Distributed by : PVR Pictures, Red Giant Movies

Production company : Sun Pictures

Release date : 4 November 2021

Running time : 161 minutes

Language : Tamil

Country : India 



Storyline of Annaatthe Movie 


Annaatthe exceptionally looks like the plot and the components of Siva past superhit projects Vedhalam and Viswasam. Frankly, the potboiler is suggestive of different Tamil motion pictures' storylines, for example, Thirupachi and it followed a similar account design as Siruthai, Veeram. Siva used to give a superior screenplay a super mix of feelings and activity. In any case, the opinions, the long winded exchanges in Annaatthe have overdone it and begun to feel overpowering at many places.

The primary half returns in a drained way with comic scenes that were neither entertaining nor adding to the core of the story. However, the last venture of the underlying half came as a shock and Genius' exhibition acts out the crowd. The final part falls definitely as it was so self-evident and the main bad guys don't appear to have any impact over the storyline. The large void in Thalaivar films of late is a strong bad guy who can warm up the conflict with Rajini like Antony to Baasha, Neelambari to Padayappa.

D Imman's tunes lift the state of mind in film lobbies yet his experience score becomes dull as the story advances. Vetri's visuals are first rate, catching the activity mass groupings and the polished Whiz in all magnificence. Annaatthe attempts to reproduce Vedhalam and Viswasam sorcery yet misses the mark as the composing didn't develop a lot and the feelings also are ludicrous. On the off chance that Siva had enlivened his narrating to a higher level, Annaatthe would have been more wonderful as his movies follow tried and attempted premises.


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Annaatthe exceptionally looks like the plot and the components of Siva past superhit projects Vedhalam and Viswasam. Truth be told, the potboiler is suggestive of various Tamil films' storylines, for example, Thirupachi and it followed a similar account design as Siruthai, Veeram. Siva used to furnish a superior screenplay with a super mix of feelings and activity. Yet, the opinions, the sermonizing discoursed in Annaatthe have overdone it and begun to feel overpowering at many places.

The principal half returns in a drained way with comic scenes that were neither amusing nor adding to the essence of the story. Be that as it may, the last venture of the underlying half came as a shock and Genius' presentation acts out the crowd. The final part falls radically as it was so self-evident and the main adversaries don't appear to have any impact over the storyline. The huge void in Thalaivar films of late is a strong bad guy who can warm up the conflict with Rajini like Antony to Baasha, Neelambari to Padayappa.


D Imman's tunes lift the disposition in film corridors yet his experience score becomes redundant as the story advances. Vetri's visuals are first rate, catching the activity mass groupings and the in vogue Hotshot in all greatness. Annaatthe attempts to reproduce Vedhalam and Viswasam wizardry however misses the mark as the composing didn't advance a lot and the feelings also are ludicrous. Assuming that Siva had enlivened his narrating to a higher level, Annaatthe would have been more amazing as his movies follow tried and attempted premises.